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Le Comte de Monte-Cristo : ウィキペディア英語版
The Count of Monte Cristo

''The Count of Monte Cristo'' ((フランス語:Le Comte de Monte-Cristo)) is an adventure novel by French author Alexandre Dumas (''père'') completed in 1844. It is one of the author's most popular works, along with ''The Three Musketeers.'' Like many of his novels, it is expanded from plot outlines suggested by his collaborating ghostwriter Auguste Maquet.〔Schopp, Claude, ''Genius of Life'', p. 325〕
The story takes place in France, Italy, and islands in the Mediterranean during the historical events of 1815–1839: the era of the Bourbon Restoration through the reign of Louis-Philippe of France. It begins just before the Hundred Days period (when Napoleon returned to power after his exile). The historical setting is a fundamental element of the book, an adventure story primarily concerned with themes of hope, justice, vengeance, mercy, and forgiveness. It centres around a man who is wrongfully imprisoned, escapes from jail, acquires a fortune, and sets about getting revenge on those responsible for his imprisonment. However, his plans have devastating consequences for the innocent as well as the guilty. In addition, it is a story that involves romance, loyalty, betrayal, and selfishness, shown throughout the story as characters slowly reveal their true inner nature.
The book is considered a literary classic today. According to Luc Sante, "''The Count of Monte Cristo'' has become a fixture of Western civilization's literature, as inescapable and immediately identifiable as Mickey Mouse, Noah's flood, and the story of Little Red Riding Hood."〔Alexandre Dumas, ''The Count of Monte Cristo'' 2004, Barnes & Noble Books, New York. ISBN 978-1-59308-333-5. p. xxv (TCMC)〕
==Background to the plot==
Dumas wrote〔''(Etat civil du Comte de Monte-Cristo )'' in ''Causeries'', chapter IX (1857). See also the introduction of the ''Pléiade'' edition of ''Le comte de Monte-Cristo'' (1981)〕 that the idea of revenge in ''The Count of Monte Cristo'' came from a story in a book compiled by Jacques Peuchet, a French police archivist, published in 1838 after the death of the author.〔''(Le Diamant et la Vengeance )'' in ''(Mémoires tirés des Archives de la Police de Paris )'', vol. 5, chapter LXXIV, p. 197〕 Dumas included this essay in one of the editions from 1846.〔''True Stories of Immortal Crimes'', H. Ashton-Wolfe, 1931, E. P. Dutton & Co., pp. 16-17〕 Peuchet told of a shoemaker, Pierre Picaud, living in Nîmes in 1807, who was engaged to marry a rich woman when three jealous friends falsely accused him of being a spy for England. Picaud was placed under a form of house arrest in the Fenestrelle Fort, where he served as a servant to a rich Italian cleric. When the man died, he left his fortune to Picaud, whom he had begun to treat as a son. Picaud then spent years plotting his revenge on the three men who were responsible for his misfortune. He stabbed the first with a dagger on which were printed the words "Number One", and then he poisoned the second. The third man's son he lured into crime and his daughter into prostitution, finally stabbing the man himself. This third man, named Loupian, had married Picaud's fiancée while Picaud was under arrest.
In another of the "True Stories", Peuchet describes a poisoning in a family. This story, also quoted in the Pleiade edition, has obviously served as model for the chapter of the murders inside the Villefort family. The introduction to the Pleiade edition mentions other sources from real life: Abbé Faria existed and died in 1819 after a life with much resemblance to that of the Faria in the novel. As for Dantès, his fate is quite different from his model in Peuchet's book, since the latter is murdered by the "Caderousse" of the plot. But Dantès has "alter egos" in two other Dumas works; in "Pauline" from 1838, and more significantly in "Georges" from 1843, where a young man with black ancestry is preparing a revenge against white people who had humiliated him.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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